Fly
With its wide variety of work, conference and relaxation chairs, the Fly collection combines upholstery, chrome parts and polished aluminium. Most chairs have been designed with two types of upholstery: subtle upholstery to accentuate the chair design and richer upholstery to give the chairs
a distinct expression.
FS Management
The FS-Line was launched back in 1980. And its highly flexible, unitary seat- and backrest shell are still considered a global milestone in dynamic seating.
Graph office chair
The choice of premium-design conference chairs has remained virtually unchanged for decades. The graphical quality of its cuttingedge shape stands out at first glance. And it’s this feature that the chair owes its name to. An organic seat shell is cut through horizontally and then vertically, modified and re-assembled to produce this ingenious product. The upshot is a fascinating mix of fluid and streamlined form, closed and transparent areas, harmony and contrast.
Greta SCR
A family with many models able to meet various needs. It can be used in a light youthful setting, as well as in a refined and vintage one, this chair is able to adapt by enhancing the atmosphere, in its leather version it is also suitable to offices.
Harmony / Harmony Pure
Harmony combines both subtle design and superb ergonomics in one. The chairs can be upholstered in a single colour and material or in a multiple composition of colours and materials, to accentuate the side of the seating shell and the upholstered armrests or the elbow rests on the polished aluminium armrests, as the case may be.
IN 3D Office Chair
“From posture-based to motion- based seating”, spawned products that are still considered the world’s best and most attractive office chairs.
Kevi
Kevi is the classic office chair with the hardwearing principle: the better you sit, the more you get done. Designed by an architect, it is suitable for homes, offices, schools and workplaces where one solution must satisfy many demands. Everything is visible, nothing is superfluous: seat, back, base, and controls designed to functional perfection. A simple well-balanced formula that incorporates aesthetic appeal with freedom of movement plus the flexibility you would expect from a full-service program.
Look
Look is an esthetically balanced chair which meets the needs of a modern user and architect. Ergonomically sophisticated, Look comes with a height-adjustable lumbar support as part of the standard product offering and other useful functionalities. The technological heart of the chair is a new generation automatic mechanism which automatically customized motion and recline resistance to the user’s weight.
Lottus conference
The Lottus Conference, with a gas lift and tilt mechanism, comes with a 4-way castor base or swivel base on glides. It can be fitted with or without arms, upholstered in fabric, leather or vinyl, as well as an oak or birch shell with upholstered seat pad.
Melody Design
With energizing comfort, ergonomic support and distinctive design, Melody sets the standard for superb craftsmanship, sophisticated upholstery and the beauty of our fabrics.
MELODY is far from being just an office chair product line. This highly versatile line offers interesting models for visitors as well as for moments of inspiring debates and rest.
Mentor
Mentor is a first class office chair designed for senior executives. It differs from other office chairs with its gorgeous design. Decorative stitching makes personalizing details easy. With both low and high back versions this chair provides top level comfort. It helps to minimize the fatigue in your working life.
Easily stretches back and supports different parts of the body during the stressful working session. Its reflection of B&T Design’s perfect craftmanship and masterful upholstering skills. The stitch detail is striking. Sculptural and qualified. Mentor’s seating area and back moves independently. It offers a comfortable session thanks to the anti-tilt mechanism. With the Absolute table it will make minimalist yet very high concept working space.
